She agrees to take her place beside Dasharath’s two other wives if he promises that it will be her son who will ascend to the throne.
Who wants to be a woman?” Soon it's time for her to marry, and her father, who rarely speaks to her, demands she wed the childless Dasharath, king of Kosala, who lives far away in the city of Ayodhya. We feel her pain when her twin brother, Yudhajit, tells her she's more a brother than a sister to him: “Don’t take offense. In her absence, Kaikeyi decides to develop herself as a warrior.
Patel begins her novel with the wrenching moment when young Kaikeyi, only daughter to the king of Kekaya, wakes up to find her mother has been banished with no explanation. Patel recasts the Ramayana as a power struggle between women who want to participate in politics and public service and men who would rather they stay home, obedient and subservient. A pivotal character, Kaikeyi demands that Rama be sent into exile to delay his ascent to the throne. She was one of the most despised queens of Indian mythology, pitting herself against the gods in the epic poem the Ramayana.
As mythological women like Circe and Ariadne find their ways onto the bookshelves, here comes a reimagining of Kaikeyi, an interesting antihero.
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